Moonwalk,” a musical and drama film, premiered in theaters today, July 8, 2025. Vinod A. K. directed and co-wrote the script with Mathew Varghese and Sunil Gopalakrishnan. The movie, a production of Amen Movie Monastery, Magic Frames, and Firewood Shows, was produced by Lijo Jose Pellissery, Listin Stephen, and Jasni Ahmed, and has a runtime of 1 hour and 58 minutes.
Moonwalk 2025 Movie Overviews
| Movie Name | Moonwalk 2025 Movie |
| Original Language | Malayalam |
| Spoken Language | Hindi |
| Release Date | 8 July 2025 |
| Runtime | 1 hour and 58 minutes |
| Country | India |
| Genres | Musical Drama |
| Director | Vinod A. K. |
| Producer | Lijo Jose Pellissery, Listin Stephen, Jasni Ahmed |
Moonwalk 2025 Movie Screenshots
Moonwalk 2025 Movie Star Cast
| Actor | Role |
|---|---|
| Sibi Kuttappan | – |
| Anunath | – |
| Sujith Prabhakar | – |
| Manoj Moses | – |
| Nainita Maria | – |
| Meenakshi Raveendran | – |
| Harshitha J Pisharody | Shahana |
Moonwalk 2025 Movie Trailer
Moonwalk 2025 Movie Review
The Malayalam film Moonwalk, directed by Vinod AK, centers on the emergence of breakdance in pop culture during the late 1980s. Set in Trivandrum, the story follows a group of six or seven college students transitioning from disco to breakdance, inspired by a skilled performance they witness. Co-written by the director, the script aims to capture the cultural and political landscape of the late ’80s and early ’90s while weaving a coming-of-age tale. Though much of the film focuses on broad world-building, its climax ties together a key character arc, delivering a satisfying payoff.
The narrative revolves around a group of young men, enrolled in pre-degree and degree programs, who form a dance group in a conservative society that rarely supports their ambitions. Rather than following a traditional structure of premise, conflict, and resolution, Moonwalk emphasizes the political and social realities of the era. It portrays the societal judgment faced by the group—both from their families and law enforcement—a theme that resonates even today. With a runtime of 1 hour and 58 minutes, the film delves into the diverse backgrounds of its characters, using dance performances as milestones in their journeys. However, most characters lack closure, making it challenging to connect with them. Sura, portrayed by Sibi Kuttappan, stands out as the most relatable figure.
The film’s uneven pacing stems from the minimal emphasis on dance in its early portions. Primarily a story of friendship across varied backgrounds, the dance element often feels secondary, relying heavily on nostalgia rather than delivering standout choreography. For viewers like myself, who grew up in the ’90s, the excitement of breakdance in a pre-mobile era is relatable, but the film’s dance sequences lack a consistent “wow” factor. Strategically, this makes a pivotal performance toward the climax stand out, earning well-deserved attention. Prashanth Pillai’s retro-infused music complements the era, while the cinematography’s earthy tones enhance the setting. However, excessive cuts in some dance sequences diminish their impact, reducing the anticipated thrill of the performances.
